|North Country Mails at the Peacock Islington, 1838, courtesy of Print & Photographs Division, Library of Congress, LC-DIG-pga-03502|
The six celebrities were given various domestic service roles from maid of all work and potman through to kitchen maid and ostler. Experience with horses and quite technical harnessing expertise would have been required to be an ostler; without these skills, Alistair McGowan and Colin Jackson both found it difficult.
The work of the other servants was made up of more general duties. As the maid of all work, Miquita Oliver's predicament in not knowing how to start a fire in the dining room was fairly common for young girls new to domestic service. She was also required to clean and iron laundry, wait at the tables and service the guests' bedrooms, including emptying the chamberpots.
Tyger Drew-Honey drew the short straw in his role as potman. This job involved being a general dogsbody and jack of all trades from serving drinks in the taproom and washing the plates and cutlery through to butchering a pig! 24 Hours in the Past stressed the importance of the stagecoaches keeping to a strict timetable with all the servants working as a team to effect a quick turnaround.
|The County Hotel, Lancaster, circa 1900.|
There wasn't much mention of tips in the programme but the staff at coaching inns, rustic inns and hotels relied heavily on tips from guests to augment their meagre pay. On his first visit to England in 1847, the American John Henry Sherburne stayed at the Black Bear in Manchester, but he was unaware that service was not included. He paid his moderate bill and while getting into his cab, he was ‘surrounded by all the servants of the establishment, asking to be remembered from the head cook to the boots’. He was later advised by a friend that, when asking for his bill at a hotel, he should insist that the servants also be charged in it. In this way, he would find himself ‘a few pounds the richer’ and save himself ‘much trouble and mortification’.
Most of the celebrities managed to work well as servants but there was one scene which simply didn't ring true. I'm referring, of course, to the refusal by Ann Widdecombe and Zoe Lucker to skin rabbits or pluck pheasants as part of their work as kitchen maids. In the real world of the 1840s, refusing to do what was asked by a master or mistress would result in instant dismissal without a character (the written reference provided by an employer so that a servant could find another place in service).
|The Cat and Fiddle Inn, Hinton, Dorset, circa 1900|